7/6 Twilight Study

Masterfully

Evocatively

Perfectly

Profoundly

Aestheticism

Nihilism

Imagism

Modernism

Postmodernism

Modernism

Providentialism

Monarchism

Soliloquy

Metatheatre

Blank Verse

Foreshadowing

Extending his original role as the manipulative metadirector, Richard contradicts his villainous statement “I cannot prove a lover” to charm not only Anne, but the reader in a parody of love, ultimately beginning a conversation about megalomania that resonates three centuries later.

The listing of unpleasant visual imagery illuminates his deformity, synonymous with God’s punishment against evil in the Elizabethan Levitical Doctrine; Pacino would later recycle this into a predetermined view of Richard's psyche.

By illuminating Richard's self-determined ambition, Shakespeare effectively sets the stage for future textual conversations to occur.

By capturing the essence of Elizabethan self-determinism, Shakespeare constructs a framework within which Pacino innovates the concept of fate in his directorial prowess over the motivations, ascent and demise of a postmodern King Richard III.

Experimentation

Conversational Tone

Authorial Intent

Academic Register

I will not eat them in a house 

I will not eat them with a mouse  

I do not like green eggs and ham 

I do not like them Sam I am 

If I asked the average person, “Who was the fourteenth prime minister of Australia?” I feel like most wouldn’t be able to respond. However, if I asked instead, “Who lives in a pineapple under the sea?”, everybody would know the answer.

I wanted to fit in with some of the exceptional talent I was surrounded with this season. I played my heart out, a few errors aside I believed that I played well. The result was not what we wanted, losing the game, but individually I brought a lot of positives from it.

Death, taxes, and nowadays, lights.

The modern world is blinding. Wherever you look, headlights flash, billboards flicker,
and souls scream