Round

Flat

Dynamic

Static​

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Let's determine the difference

Types of characters

complex and undergo development, sometimes sufficiently to surprise the reader.

​Round character

two-dimensional in that they are relatively uncomplicated and do not change throughout the course of a work

Flat character

Flat and round

What are some examples

a type of character who remains largely the same throughout the course of the storyline

Static Character

a character who undergoes significant internal change throughout the course of a story.

Dynamic character

Dynamic and static

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reflects the writer's attitude toward the subject matter or audience of a literary work

Tone

the emotional response that the writer wishes to evoke in the reader through a story.

Mood

Mood and Tone

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a scene in a movie, novel, etc., set in a time earlier than the main story.

Flashback

be a warning or indication of (a future event).

Foreshadowing

Foreshadowing and Flashback

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Literary Devices you've Never Heard of

Anthropomorphism

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​Anthropomorphism refers to something nonhuman behaving as human, while personification gives particular human traits to nonhuman or abstract things, or represents a quality or concept in human form.

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Anthropomorphism is a literary device that can be defined as a technique in which a writer ascribes human traits, ambitions, emotions, or entire behaviors to animals, non-human beings, natural phenomena, or objects.

Anthromorphism

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Literary devices

Anthropomorphism

Anthropomorphism is a literary device that can be defined as a technique in which a writer ascribes human traits, ambitions, emotions, or entire behaviors to animals, non-human beings, natural phenomena, or objects.

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Irony

There are different kinds of irony

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a figure of speech. The speaker intends to be understood as meaning something that contrasts with the literal or usual meaning of what he says.

Verbal Irony

the irony of something happening that is very different to what was expected

Situational Irony

Irony

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Dramatic Irony

a literary device by which the audience's or reader's understanding of events or individuals in a work surpasses that of its characters.

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